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Picturing the book of nature in
the Renaissance Dr S.
Kusukawa Students
should note that this bibliography is compiled as a starting point for
extended essays and dissertations. Not all topics listed here will have been
covered by lectures. Students
may also find it useful to browse through other sites listed under ‘research tools’. |
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0. Introduction
1. Studies
1.4.
Mnemonic function of pictures 2. Natural History or materia medica 2.1.1. Plants – primary sources 2.2.1.
Animals – primary sources 3. Anatomy 4. Maps
4.1.
General, historiographic, technical
4.2.
Primary sources
4.3. Studies –
Medieval and Mappa Mundi
4.4. Studies –
Early Modern
4.5.1.
New World – primary sources 5. Galileo
5.1.
Galileo – primary sources 6. Printing
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items in this section are listed for the range and variety
of primary sources they contain – browsing through these would provide a very
good sense of the visual primary sources that are available for study
Murdoch, J. E.
(1984). Album of science: antiquity and the middle ages,
Cohen,
Jones, P. M. (1998).
Medieval Medicine in Illuminated Manuscripts,
Roberts, K. B. and
J. D. W. Tomlinson (1992). The Fabric of the Body: European traditions of
anatomical illustrations,
Rutkow,
Moe, H. (1995). The art of anatomical
illustration in the Renaissance and Baroque periods,
Sherman, C. R., Ed.
(2000). Writing on hands: memory and knowledge in early modern
Mollat, M. (1984). Sea
Charts of the Early Explorers: 13th to 17th century, tr. L. l. R. Dethan
Harley, J. B. and D.
Woodward, Eds. (1987). The history of cartography, Vol.1, Cartography in
prehistoric, ancient, and medieval
Whitfield, P.
(1995). The mapping of the heavens,
Lachièze-Rey, M. and
J.-P. Luminet (1998). Figures du ciel, Seuil: BNF.
Ivins, W. M. J. (1953). Prints and visual communications,
Panofsky, E. (1955). Meaning in the Visual Arts,
Baxandall, M. (1972). Painting and experience in fifteenth
century
Gombrich, E. (1982). The image and the eye: further studies in the
psychology of pictorial representation,
Ackerman, J. S.
(1985). 'Early Renaissance 'naturalism' and scientific illustration', in A.
Ellenius (ed.), The natural sciences and the arts: aspects of interaction
from the Renaissance to the 20th Century: An international symposium,
Kemp, M. (1990). 'Taking it on trust: Form and meaning in naturalistic
representation', Archives of Natural History 17: 127-188.
Mitchell, W. J. T. (1986). Iconology: Image, Text,
Ideology,
Baxandall, M. (1985). Patterns of intention: on the
historical explanation of pictures,
Alpers, S. (1983). The art of describing: Dutch art in the seventeenth
century,
Rotberg, R. I. and T. K. Rabb (1988). Art and history: images and their
meaning, Cambridge.
Lynch, M. and S. Edgerton (1988). 'Aesthetics and digital image processing:
representational craft in contemporary astronomy', in G. Fyfe and J. Law (ed.),
Picturing power : visual depiction and social relations, London, 184-220.
On modern material, but relevant.
Bastide, F. (1990). 'The iconography of scientific texts', in M. Lynch and
S. Woolgar (ed.), Representation in scientific practice, Cambridge,
Mass.: M.I.T. Press. On modern material, but relevant.
Starn, R. (1989). 'Seeing Culture in a Room of a Renaissance Prince', in L.
Hunt (ed.), The New Cultural History, Berkeley.
Freedberg, D. (1989). The power of images: studies in the history and
theory of response, Chicago.
Elkins, J. (1995). 'Art history and images that are not art', Art
Bulletin 77(4): 553-71. Methodological discussion by an art historian on
the history of scientific images, with relevant bibliography.
Burke, U. P. (2001). Eyewitnessing: the uses of images as historical
evidence, London: Reaktion.
Latour, B. and P. Weibel (2002). Iconoclash: Beyond the Image Wars in
Science, Religion and Art, Karlsruhe.
I list here titles which
include studies that encompass a wide range of fields, rather than focusing on
a particular field:
Chatelain, J.-M. and
L. Pinon (2000). 'Genres et functions de l’illustration au XVIe siècle', in
H.-J. Martin (ed.), La naissance du livre moderne (XIVe-XVIIe siécles) mise
en page et mise en texte du livre français, Paris, 236-269.
S. Kusukawa and I. Maclean, Eds. (2006). Transmitting
Knowledge: Words, Images, and Instruments in Early Modern Europe, Oxford.
Mazzolini, R. G.,
Ed. (1993). Non-verbal communication in science prior to 1900, Florence, Olschki.
Lefèvre, W., J.
Renn, et al., Eds. (2003). The Power of Images in Early Modern Science,
Basel, Boston, and Berlin.
Jones, C. A. and P.
Galison, Eds. (1998). Picturing Science, Producing Art, London and New
York, Routledge.
Landau, D. and P. Parshall (1994). The Renaissance Print: 1470-1550,
New Haven: Yale University Press.
Baigrie, B. S., Ed. (1996). Picturing knowledge: historical and
philosophical problems concerning the use of art in science, Toronto.
Shea, W. R., Ed. (2000). Science and the
visual image in the Enlightenment, Canton.
Benvenuto Cellini, autobiography, tr. J. D.
Symonds: http://www.bartleby.com/31/
Koreny, F. (1988). Albrecht Dürer and the
animal and plant studies of the Renaissance, Boston.
Panofsky, E. (1962). 'Artist, Scientist,
Genius: Notes on the Renaissance Dämmerung', in W. Ferguson and e. al. (ed.), The
Italian Renaissance, Six Essays, New York, 121-82.
Panofsky, E. (1971). The Life and Art of
Albrecht Dürer: Princeton.
Smith, P. (2004). The body of the
artisan: art and experience in the scientific revolution, Chicago.
Ackerman, J. S. (1985). 'The involvement of artists
in Renaissance science', in J. W. Shirley and F. D. Hoeniger (ed.), Science
and the arts in the Renaissance, Cranbury NJ: Associated University Press,
94-129.
Scheller, R. W. (1995). Exemplum:
Model-book drawings and the practice of artistic transmission in the Middle
Ages (ca. 900-ca.1470), tr. M. Hoyle Amsterdam: Amsterdam University Press.
Amelang, J. (1998). The flight of Icarus:
artisan autobiography in early modern Europe, Stanford.
Baxandall, M. (1980). The limewood sculptors
of Renaissance Germany, London and New Haven.
Kemp, M. (1990). The Science of Art:
optical themes in Western art from Brunelleschi to Seurat, New Haven: Yale
University Press.
Reeves, E. (1997). Painting the heavens :
art and science in the age of Galileo, Princeton, NJ, Chichester: Princeton
University Press.
Sherman, C. R., Ed. (2000). Writing on
hands: memory and knowledge in early modern
Clarke, E. and C. D. O'Malley (1996). The
human brain and spinal cord: a historical study illustrated by writings form
antiquity to the 20th century, San Francisco.
Bolzoni, L. (1989). 'The play of images: the
art of memory from its origins to the seicento', in P. Corsi (ed.), The Mill
of Thought: from the Art of Memory to the Neurosciences, Milan.
Carruthers, M. J. (1990). The book of
memory: a study of memory in medieval culture, Cambridge: Cambridge
University Press.
Carruthers, M. (1998). The craft of
thought: meditation, rhetoric and the making of images, 400-1200,
Cambridge: Cambridge University Press.
Bolzoni, L. (2001). The gallery of
memory: literary and iconographic models in the age of the printing press,
tr. J. Parzen, Toronto.
Hoffmann, D. (2000). 'Die mnemonischen
Kartenspiele Thomas Murners', in J.-J. Berns and W. Neuber (ed.), Seelenmaschinen:
Gattungstraditionen, Funktionen und Leistungsgrenzen der Mnemonetechniken von
späten Mittelalter bis zum Geginn der Moderne, Vienna, Cologne, Weimar, 585-604.
Nutton, V. (2001). 'Representation and
memory in Renaissance anatomical illustration', in F. Meroi and C. Pogliano
(ed.), Immagini per conoscere: Dal Rinascimento alla Rivoluzione scientifica,
Florence, 61-80.
Yates, F. A. (1966). The art of memory,
London.
O'Neill, Y. V. (1993). 'Diagrams of the
Medieval Brain: a study in cerebral localization', in B. Cassidy (ed.), Iconography
at the Crossroads, Princeton: Index of Christian Art, 91-105.
Pagel, W. (1958). 'Medieval and Renaissance
Contributions to knowledge of the brain and its function', in F. N. L. Poynter
(ed.), The History and Philosophy of Knowledge of the Brain and Its
Functions, Oxford, 91-114.
Nordenfalk, C. (1985). 'The five senses in
late medieval and renaissance art', Journal of the Warburg and Courtauld
Institutes 48.
Spence, J. D. (1985). The memory palace of Matteo Ricci, London.
Küchler, S. and W. Melim, Eds. (1991). Images
of memory: on remembering and representation, Washington and London.
Gerard, J. (1597). The herball or generall historie of plantes,
London: Imprinted by Iohn Norton [colophon]: imprinted by Edm. Bollifant, for
Bonham and Iohn Norton. Available on eebo.
Parkinson, J. (1629). Paradisi in sole paradisus terrestris : or, A
garden of all sorts of pleasant flowers which our English ayre will permitt to
be noursed up ... together with the right orderinge, planting & preserving
of them and their uses & vertues., London: Humfrey Lownes and Robert
Young. Available on eebo, as well as a facsimile edition,1976.
Fuchs, L. (1999). The great herbal of Leonhart Fuchs: De historia
stirpium commentarii insignes, 1542 (notable commentaries on the history of
plants) Stanford, 2 vols, F. G. E. Meyer, E. E. Trueblood, et al., eds,
partial English translation. Original Latin text and images browsable at: http://www.abocamuseum.it/uk/bibliothecaantiqua/Book_View.asp?Id_Book=193&Display=E
Fuchs, L. (1545). Primi de stirpivm historia commentariorvm tomi uiuæ imagines, in exiguam angustioremq[ue] formam
contractæ, ac quam fieri potest artificiosissime expressæ...,
A medieval herbal: a facsimile of British Library Edgerton MS
747,
Herbarius. Herbarius
latinus, [
Dioscorides (2005). De materia medica,
tr. L. Y. Beck, Hildesheim: Olms.
Herbarvm, arborvm, frvticvm, frvmentorvm ac legvminem :
Animalium praeterea terrestrium, uolatili~u & aquatilium, aliorum´q; quorum
in medicinis usus est, simplicium, imagines, aduiuum depictae, vnà cum
nomenclaturis eorundem usitatis, Frankfurt a. M.: C. Egenolff, 1546, digitized by the Medical Historical
Library at Yale: http://www.med.yale.edu/library/historical/EGENOLFF/egenolff%20HTML/intro.html.
Sir Hans Sloane’s herbarium on-line: http://www.nhm.ac.uk/research-curation/projects/sloane-herbarium/.
Aldrovandi’s hortus siccus: http://www3.unibo.it/erbario/hsebertoloni.html
Fisch, M. H. (1947). Nicolaus Pol,
doctor, 1494 : with a critical text of his guaiac tract, tr. D. M.
Schullian New York.
Arber, A. (1990). Herbals: their origin and evolution: a chapter in the
history of botany 1470-1670, Cambridge: Cambridge University Press. Still a
very useful starting point. Supplement with:
Reeds, K. M. (1976). 'Renaissance Humanism and Botany', Annals of
Science 33: 519-542.
Nutton, V. (2004). 'Mattioli and the art of
commentary', in D. Fausti (ed.), La complessa scienza dei semplici,
Siena, 133-147.
Nutton, V. (1997). 'The rise of medical humanism :
Givens, J. A. (2005). Observation and Image-making in Gothic art,
Godman, P. (1998). From Poliziano to Machiavelli : Florentine humanism
in the high Renaissance, Princeton.
Ogilvie, B. W. (2003). 'Image and text in natural history, 1500-1700', in
W. Lefèvre, J. Renn and U. Schoepflin (ed.), The Power of Images in Early
Modern Science, Basel, Boston, and Berlin, 141-166.]
Ogilvie, B. W. (2003). 'The many books of
nature: Renaissance naturalists and information overload', Journal of the
History of Ideas 64(1): 29-40.
Ogilvie, B. W. (2005). 'Natural history,
ethics, and physico-theology', in G. Pomata and N. Siraisi (ed.), Historia:
empiricism and erudition in early modern Europe, Cambridge, MA and London,
75-103.
Kusukawa, S. (1997). 'Leonhart Fuchs on the Importance of Pictures', Journal
of the History of Ideas 58(3): 403-427.
Findlen, P. (1994). Possessing nature: museums, collecting, and
scientific culture in early modern Italy, Berkeley.
Findlen, P. (2000). 'The Formation of A Scientific Community: Natural
History in Sixteenth-Century Italy', in A. Grafton and N. Siriasi (ed.), Natural
Particulars: Natural Philosophy and the Disciplines in Early Modern Europe,
Cambridge, MA: MIT Press, 369-400. on Pier Andrea Mattioli
Stannard, J. (1966). 'Dioscorides and Renaissance materia medica', in M.
Florkin (ed.), Materia Medica in the XVIth Century, Oxford and London:
Pergamon, 1-21.
Stannard, J. (1969). 'P. A. Mattioli:
sixteenth-century commentator on Dioscorides', University of Kansas
Bibliographical Contributions 1: 59-81.
Palmer, R. (1984). 'The influence of botanical research on pharmacists in
sixteenth-century Venice', NTM 21(2): 69-80.
Palmer, R. (1985). 'Medical Botany in Northern Italy in the Renaissance', Journal
of the Royal Society of Medicine 78: 149-57.
Palmer, R. (1985). 'Pharmacy in the republic of Venice in the sixteenth
century', in A. Wear, R. K. French and I. Lonie (ed.), The Medical Renaissance
of the Sixteenth Century, Cambridge: Cambridge University Press, 100-117.
Koreny, F. (1988). Albrecht Dürer and the animal and plant studies of
the Renaissance, Boston.
Jensen, K. (2001). 'Description, division, definition : Cæsalpinus and the study of plants as an independent discipline', in
M. Pade (ed.), Renaissance readings of the Corpus Aristotelicum:
proceedings from the conference held in
Copenhagen, 23-25 April 1998, Copenhagen: Museum Tusculanum, 185-206.
Collins, M. (2000). Medieval Herbals: the illustrative tradition,
London: British Library.
Pächt, O. (1950). 'Early Italian Nature
Studies and the Early Calendar Landscape', Journal of the Warburg and
Courtauld Institutes 13: 13-47
Abrahams, H. J. and M. B. C. Savin (1975). 'The herbarius latinus Venice
1499 : the first Italian Renaissance illustration of plants', Episteme
9: 225-252.
Dilg, P. (1975). 'Die botanische Kommentar-Literatur in Italien um 1500 und
ihr Einfluß auf Deutschland', in A. Buck and O. Herding (ed.), Der Kommentar
in der Renaissance, Bonn-Bad Godesberg, 225-52.
Allan, M. (1964). The Tradescants, their plants, gardens and museums,
1570-1662, London.
Kaden, V. (1983). The Illustration of Plants and Gardens 1500-1850,
London: Victoria and Albert Museum.
Coffin, D. R. (1991). Gardens and Gardening in Papal Rome, Oxford:
Blackwell.
Harkness, D. (2002). '"Strange" ideas and "English"
knowledge. Natural science exchange in Elizabethan London', in P. H. Smith and
P. Findlen (ed.), Merchants and marvels. Commerce, science and art in early
modern Europe, New York and London, 137-160.
Goldgar, A. (2002). 'Nature as Art: The case of Tulips', in P. H. Smith and
P. Findlen (ed.), Merchants and marvels: commerce, science and art in early
modern Europe, London, 324-346.
See also the section on the ‘New World’ under Maps
Physiologus, tr. M. J. Curley Austin; London: University
of Texas Press, 1979.
Tacuinum sanitatis in medicina : Codex Vindobonensis series
nova 2644 der Österreichischen Nationalbibliothek, 2 vols. Graz,
1967.
Topsell, E. (1607). The historie of fovre-footed beastes, London:
William Iaggard. Available on eebo, as well as a facsimile edition, 1973.
Egmond, F. and A. Ehrman, see Pollard, G (1997). Adriaen Coenen en zij
Visboeck van 1578, The Hague.
Egmond, F. and P. Mason, Eds. (2003). The Whale Book: whales and other
marine animals as described by Adriaen Coenen in 1585, London.
Harms, W. (1985). Deutsche illustrierte Flugblätter des 16. und 17.
Jahrhunderts, vol. 1. Die Sammlung der Herzog August Bibliothek in
Wolfenbüttel, Teil 1 (Ethica, Physica), Tübingen.
Faust, I. and K. Barthelmess (1998-). Zoologische Einblattdrucke und
Flugschriften vor 1800, 3- vols. Stuttgart.
Aldrovandi’s collection on-line: http://www.filosofia.unibo.it/aldrovandi/.
Ashworth, W. B. Jr. (1990). 'Natural history and the emblematic world
view', in D. C. Lindberg and R. S. Westman (ed.), Reappraisals of the
scientific revolution, Cambridge: Cambridge University Press, 303-32.
Ashworth, W. B. Jr. (1985). 'The persistent beast: recurring images in
early zoological illustrations', in A. Ellenius (ed.), The Natural Sciences
and the Arts, Uppsala, 46-66.
Pächt, O. (1950). 'Early Italian Nature
Studies and the Early Calendar Landscape', Journal of the Warburg and
Courtauld Institutes 13: 13-47
Pinon, L. (1995). Livres de zoologie de la Renaissance: une anthologie
(1450-1700): Klincksieck.
Pinon, L. (2003). 'Entre compilation et observation: l'écriture de l'Ornithologie
d'Ulisse Aldrovandi', Genesis 20: 53-70.
Kusukawa, S. (2000). 'The Historia Piscium (1686)', Notes and Records of
the Royal Society 54(2): 179-197.
Egmond, F. and P. Mason (1994). 'Armadillo in Unlikely Places. Some
Unpublished Sixteenth-Century Sources for New World Rezeptionsgeschichte
in Northern Europe', Ibero-Amerikanischens Archive 20: 3-52.
Findlen, P. (1994). Possessing nature: museums, collecting, and
scientific culture in early modern Italy, Berkeley.
Benton, J. R. (1992). The medieval menagerie: animals in the art of the
middle ages, New York.
Koreny, F. (1988). Albrecht Dürer and the animal and plant studies of
the Renaissance, Boston.
Clarke, T. H. (1986). The Rhinoceros from
Dürer to Stubbs 1515-1799, London.
Bartrum, G. (2002). Albrecht Dürer and
his legacy: the graphic work of the Renaissance artists, London: The
British Museum Press.
Rowlands, J. (1988). The age of Dürer and
Holbein: German drawings 1400-1550, London: The British Museum Press.
Panofsky, E. (1971). The Life and Art of
Albrecht Dürer: Princeton.
Pinon, L. (1995). Livres de zoologie de
la Renaissance: une anthologie (1450-1700): Klincksieck.
Pinon, L. (2003). 'Entre compilation et
observation: l'écriture de l'Ornithologie d'Ulisse Aldrovandi', Genesis
20: 53-70.
Pinon, L. (2005). 'Conrad Gessner and the
historical depth of Renaissance natural history', in G. Pomata and N. Siraisi
(ed.), Historia: empiricism and erudition in early modern Europe,
Cambridge, MA and London, 241-267.
Lazzaro, C. (1995). 'Animals as cultural signs: a Medici menagerie in the
grotto at Castello', in C. Farrago (ed.), Reframing the Renaissance: visual
culture in Europe and Latin America 1450-1650, New Haven and London: Yale
University Press, 197-242.
Steel, C., G. Guldentops, et al., Eds. (1999). Aristotle's animals in
the Middle Ages and Renaissance, Leuven.
Nutton, V. (1985). 'Conrad Gessner and the
English Naturalists', Medical history 29: 93-7.
Perfetti, S. (1999). Three different ways of interpreting Aristotle’s De
partibus animalium: Pietro Pomponazzi, Niccolò Leonico Tomeo and Agostino Nifo,
Leuven: Leuven University Press.
Monfasani, J. (1999). 'The pseudo-Aristotelian Problemata and
Aristotle's De animalibus in the Renaissance', in A. Grafton and N.
Siraisi (ed.), Natural Particulars: nature and the disciplines in
Renaissance Europe, Cambridge, MA and London: MIT Press, 205-250.
Renzi, S. d. (2000). 'Writing and talking of exotic animals', in M. F.
Spada and N. Jardine (ed.), Books and the sciences in history,
Cambridge: Cambridge University Press.
Resnick, I. and K. Kitchell (1996). 'Albertus the Great on the
"language of animals"', American Catholic Philosophy Quarterly
70(special issue on Albertus Magnus).
Serjeantson, R. (2001). 'The passions and animal language, 1540-1700', Journal
of the History of Ideas 62(3): 425-44.
Waite, G. K. (1995). 'Talking animals, preserved corpses and Venusberg: the
16th-century magical world view and popular conceptions of the spiritualist
David Joris (c. 1501-1556)', Social History 20: 137-156.
Floridi, L. (1997). 'Scepticism and animal rationality: the fortune of
Chrysippus' dog in the history of western thought', Archiv für Geschichte
der Philosophie, 79(1): 27-57.
Höltgen, K. J. (1998). 'Clever dogs and nimble spaniels: on the iconography
of logic, invention, and imagination', Explorations in Renaissance culture
24: 1-36.
Russell, K. F., Ed. (1987). British anatomy, 1525-1800: a bibliography of
works published in Britain, America and on the continent, Winchester.
Lind, L. R. (1975). Studies in pre-Vesalian anatomy: biography,
translations, documents, Philadelphia.
Ketham, J. d. (1925). The Fasciculo di medicina, Venice 1493, tr. C.
Singer, 2 vols. Florence. English and Latin parallel text. The original Latin
text (
Edwardes, D. (1961). Introduction to
anatomy, 1532 : a facsimile reproduction, with English translation, and an
introductory essay on anatomical studies in Tudor England, tr. C. D.
O'Malley and K. F. Russell, London.
Fernel, J. (2003). The physiologia of
Jean Fernel (1567). tr. J. M. Forrester Philadelphia, PA,: American
Philosophical Society.
Fernel, J. (2005). Jean Fernel's On the hidden causes of
things: forms, souls, and occult diseases in Renaissance, tr. J. M.
Forrester, Leiden: Brill.
Paré, A. (1952). The apologie and
treatise of Ambroise Pare: containing the voyages made into divers places, with
many of his writings upon surgery, Chicago.
Paré, A. (1969). Ambroise Paré,
Explanation of... instruments of chirurgery, Amsterdam.
Paré, A. (1982). On monsters and marvels,
Chicago.
Benedetti, A. (1967). Diaria de bello
Carolino. Diary of the Caroline war, New York.
Vesalius, A. (1948). Andreas Vesalius
Bruxellensis: the bloodletting letter of 1539: an annotated translation and
study of the evolution of Vesalius's scientific development, London.
Vesalius, A.
(1969). The epitome of Andreas Vesalius, tr. L. R. Lind Cambridge, MA
(originally pub. 1949).
Vesalius, A. (1998-). On the fabric of the human body, tr. W. F.
Richardson and J. B. Carman San Francisco. Another translation project, which significantly
compares the 1543 and 1555 editions of the Fabrica
is at: http://vesalius.northwestern.edu/samplechapter/index.html.
Carlino, A. (1999). Paper bodies: a catalogue of anatomical fugitive
sheets, 1538-1687, tr. N. Arikha London: Wellcome Institute for the History
of Medicine.
The order of the hospitalls of K. Henry the Viii th and K.
Edward the vi th, viz. St. Bartholomew’s, Christ’s, Bridewell, St. Thomas’s. By
the Maior, cominaltie, and citizens of London, governours of the possessions,
revenues and goods of the sayd hospitalls,
For
historical, illustrated anatomical works (images only), including Berengario’s Isagoge, Ketham’s Fasciculo, and Vesalius’ Fabrica:
http://www.nlm.nih.gov/exhibition/historicalanatomies/browse.html.
Another
site for history of anatomical illustrations is:
http://link.library.utoronto.ca/anatomia/application/index.cfm.
‘The Boundaries of the Body and Scientific Illustration in
Early Modern Europe’ at McGill, http://www.bronwenwilson.ca/,
useful information of Valverde and Paré.
Note that practically all of the Renaissance editions of
Galen, including the Kuhn edition, is available at:
http://www.bium.univ-paris5.fr/histmed/medica.htm
General
Siraisi, N. G. (1990). Medieval and early Renaissance medicine : an
introduction to knowledge and practice, Chicago: University of Chicago
Press.
Siraisi, N. (2003). 'The faculty of medicine', in H. D. Ridder-Symoens
(ed.), The History of the University in Europe, Cambridge: Cambridge
University Press, 1. Universities in the Middle Ages.
Elmer, P., Ed. (2004). The healing arts: health, disease and society
1500-1800 Milton Keynes, Open University.
Conrad, L. I., M. Neve, et al. (1995). The Western medical tradition:
800 B.C.-1800 A.D, London.
Webster, C., Ed. (1979). Health, Medicine and Mortality in the Sixteenth
Century, Cambridge, Cambridge University Press.
Pelling, M. (2003). Medical conflicts in early modern London: patronage,
physicians, and irregular practitioners, 1550-1610, Oxford and New York:
Clarendon.
Wear, A. (2000). Knowledge and practice in English medicine, 1550-1680,
Cambridge: Cambridge University Press.
Maclean, I., 1945- (2001). Logic, signs and nature : learned medicine in
the Renaissance, Cambridge: Cambridge University Press.
Park, K. (1985). Doctors and medicine in early Renaissance Florence,
Princeton.
Gentilcore, D. (1998). Healers and healing in early modern Italy,
Manchester and New York: Manchester University Press.
Pictures
Roberts, K. B. and
J. D. W. Tomlinson (1992). The Fabric of the Body: European traditions of
anatomical illustrations, Oxford.
Rutkow, I. M. (1993). Surgery: an
illustrated history, St Louis and London.
Saunders, J. B. d. C. M. and C. D. O'Malley (1950). The illustrations
from the works of Andreas Vesalius of Brussels, Cleveland.
Bylebyl, J. J. (1990b). 'Interpreting the Fasciculo anatomy scene', Journal
of the history of medicine and allied sciences 45: 285-316.
Jones, P. M. (2006). 'Image, word, and medicine in the Middle Ages', in J.
A. Givens, K. Reeds and A. Touwaide (ed.), Visualizing medieval medicine and
natural history, 1200-1550, Aldershot, 1-24.
Nutton, V. (2001). 'Representation and memory in Renaissance anatomical illustration',
in F. Meroi and C. Pogliano (ed.), Immagini per conoscere: Dal Rinascimento
alla Rivoluzione scientifica, Florence, 61-80.
Carlino, A. (1995). '"Knowe Thyself". Graphic Communication and
Anatomical Knowledge in Early Modern Europe', Res 27: 52-69.
Parshall, P. (1993). 'Imago contrafacta: Images and Facts in the
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P. Machamer (ed.),
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The next section is also relevant for
Galilei’s mechanical diagrams
Excellent examples found at: http://www.loc.gov/exhibits/heavenlycraft/
Mortimer, R. (1964). Harvard College Library Department of Printing and
Graphic Arts: catalogue of books and manuscripts; French 16th century books,
Cambridge.
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